 |
| name
: Pande Ketut
Taman |
| birthday
: |
| birth
place : |
| awards
: |
| |
|
exhibition data:
| 1989 |
Group Exhibition "Harkitnas"at Art Center Bali. |
| 1990 |
Group Exhibition"Visit Indonesia Year" at Neka Musium
Bali. |
| 1991 |
Group Exhibition in Singaraja. |
| 1993 |
Art Xperimental "Hitam-Putih"at Aksi Seni Solo. |
| 1994 |
"Yogjyakarta Young Painter" at Purnabudaya
Yogyakarta. |
| 1995 |
"Legenda 92" at Purnabudaya in Yogyakarta |
| 1996 |
"FKY" at Benteng Vredeburg Musium in Yogyakarta. |
| 1997 |
"Indonesia Art Award 97 Philip Moris Co.,Ltd.at National
Gallery in Jakarta and ARMA Museum Bali.
Solo Exhibition "Tugas Akhir" at FSR ISI Yogyakarta. |
| 1998 |
"Indonesia Art Award 98 Philip Moris Co.,Ltd.at National
Gallery in Jakarta. |
| 1999 |
Solo Exhibition at Millenium Gallery in Jakarta.
"Indonesia Art Award 99 Philip Moris Co.,Ltd.at National Gallery in Jakarta. |
| 2000 |
Solo Exhibition "Survival"at Sika contemporary art
gallery in Bali .
Solo Exhibition "Luh luih"at Art Folio in Singapore. |
| 2001 |
Solo Exhibition "Bunga di Taman Hati" in Inggil Gallery
in Jakarta.
"Not I am I ?" at Nadi Gallery In Jakarta.
"Dermensch Ais Mass" at Musium der Kulturen in Basel Switzerland. |
| 2002 |
"Inter cosmo Imagination" at Langgeng Gallery in
Jakarta.
"Pastel" at gallery 9 in Yogyakarta.
"Dimensi Raden Saleh" at Semarang Gallery . |
| 2003 |
Solo Exhibition at Choinard Gallery in Hongkong.
"In Between Perupa dalam Rotasi media"at Andi's Gallery
"Bali-Basel" at Sika Contemporary Art Gallery in Bali.
"Sorak-Sorai Identitas"in Langgeng Gallery in Magelang. |
| 2005 |
Group Exhibition Bali Biennale in Bali |
|
comment from BIDADARI :
Restlessness and constant inquiries about Balinese arts have been the
major force behind Pande Ketut Taman's creative journey. He is very
curious about how have the Balinese artists and maestros like Lempad,
Cokot, Deblog or earlier masters been able to build temples and create
masterpieces that we now see and inherit.
His restlessness is not only physical but also psychological, which
is ever more intense, especially during moments of materializing his
works.
The restlessness builds up all kinds of questions in his head. "What
mind sets have those Balinese had to enable them to create such famous
works? What creative processes have they walked through? How come they
able to accomplish such feat? Why do today's generations very rarely
or hardly able to match their accomplishments?
Nature's phenomena have been very influential in stirring Taman's restlessness.
Indeed, much of people's creative processes stem out from nature-by
watching every little detail of daily occurrences that we see but often
neglect, such as that of the fallen leaves or the scattered about wastes.
It is from all of these Taman learns about life, and discovers his
creative expression along the way. |