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name
: I Made Wianta |
birthday
: Dec. 20th.
1949 |
birth
place : Apuan Tabanan, Bali |
awards
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What count for me is
time, time that I experience from birth, that I experience now,
and in the future, time in which I live. A few attributes of my
self will ultimately remain in the form of paintings or artworks
that will communicate with people. |
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exhibition data:
1966-69 |
Studies dance and music at KOKAR (Konservatori karawitan /
The secondary School of Dance and music). After a few months
he attended
SSRI (Sekolah Seni Rupa Indonesia / The Indonesian Secondary
School of art) at Denpasar, Bali |
1968 |
The first group exhibition at the Museum Bali, Denpasar Bali |
1976 |
The first one-man exhibition at the centre Culturel Jacques
Frank, Brussell, Belgium |
1977 |
Group exhibition at the Gallery antiques, Gent belgium
One man exhibition at Hotel Indonesia, Jakarta |
1981 |
One man exhibition at the Stedelijke Feestzalen,
Botermarkt, Mechelen, Belgium
Asian exhibition of paintings, graphic art and photography, Bangkok, Kuala Lumpur,
Singapore, Jakarta, Manila. |
1990 |
Festival of Indonesia in the USA (KIAS) |
1993 |
Exhibition on "Indonesia Modern Art", Amsterdam, (PKAIB) |
1999 |
One-man exhibition at Darga Lansberg Gallery, Paris, France |
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comment from BIDADARI :
Made Wianta born on 20 Desember 1949 in Apuan Tabanan, Bali, to Ni
Medik and I Gde Labdana. He is the youngest of their ten children.
As a child he learns classical Balinese dance.
Batik, Dance, gamelan music, drawing, painting, writing, and installation
work have all played an important part in Wianta's artistic career.
Although Wianta studied traditional Balinese painting, his fascination
with modern and western art prompted him to go to Belgium in 1975.
There he was exposed for the first time to the rich variety of European
art styles. Upon his return to Bali in 1977, Made Wianta restlessly
sketched and painted a whole range of different creative forms. Throughout
the years, he became well known for his remarkable black and white
drawings, depicting surreal images of his Balinese dreams.
Gradually the discovered color and created various geometric forms,
conveying emotion and a deep sense of spirituality. Influenced by Japanese
brush painting, Wianta infused his calligraphy works with signs and
symbols expressing his relationship to the forces of nature. His intuitive
reactions to the phenomena of the world around him are reflected in
diverse installation works.
Made Wianta's ability to create a unique visual vocabulary in his own
Balinese and modern way has allowed viewers from all over the world
to share his universal language and abstrack form-they can see his
works in terms of their own experience, intuitively recognizing some
parts of themselves. |
art works :
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"Callender" |
"Shadow Triangle" |
"Playing of Triangle" |
"White Light" |
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"Red Brush" |
"White silhouete" |
"Red Ine" |
"Yellow Cliff" |
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"White Rainbow" |
"Yellow and Stone" |
"Delta Blue" |
"White Riven I" |
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"White Riven II" |
"Calligraphy Wael" |
"Purple Coast" |
"Cloudy" |
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"Rainbow Calligraohy" |
"White Line and Cloudy I" |
"Yellow Sky" |
"Red Sky" |
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"White Line and Cloudy II" |
"Bold Stone I" |
"Bold Stone II" |
"Sunset" |
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"Calligraphy" |
"Fish" |
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